Grape Collective talks with winemaker Mario Andrion about the estate and the unique terroir of Verduno.
In 2016 Guisi Murabito founded Walking Eolie & Sicily, which enables people from around the world to experience the culture of the region through guided walking tours focusing on food and wine. It is in this way she is able to share with others the "peaceful environment, divine light, immense soul, [and] authentic smells and tastes" she so loves about her homeland.
Mario Paoluzi is the owner of I Custodi, an artisanal winery located on the northern slope of Mt. Etna in Sicily. I Custodi refers to themselves as the "keepers" or the "guardians" of Mt. Etna's vineyards. Their mission is to preserve the land and traditions of the region as well as to respect the people.
Paoluzi teamed up with well-known and highly regarded oenologist Salvo Foti to produce wines from Etna's indigenous grapes using traditional methods dating back centuries. The winery is part of a very important association of Sicilian growers and producers called "I Vigneri," which dates back 500 years but has more recently been revived by Foti as a way to pass on the skills and techniques of grape growing and winemaking from older generations. As a result, previously abandoned vineyards have been revived and there has been a renewed interest in the wines of Etna.
Christopher Barnes: Mario, tell us a little bit about how you got into the wine business.
Mario Paoluzi: It was 2007. I was already here in Sicily, in Catania since 2001, since I moved here from Rome for a family business reason. And I had the chance to meet with Salvo Foti, who was following at the time a project called Il Cantante that...
On the scenic slopes of Sicily's Mount Etna on the northern side of the volcano in Castiglione is Produttori Etna Nord - an association of five small family producers that have united to share the indigenous varietals of the region with the rest of the world. Though the wineries are in close proximity to one another and have a common winemaker, the variations in the terroir allow for differences in their grapes and wine styles.
In Castiglione there are 45 contrade, or subdivisions, with five producers including Davide and Adriano Dì Bella of Tenuta Antica Cavalleria, Papa Maria Pietro Dì Giovani, Azienda Agricola Giuseppe Platania, Azienda Agricola Villabosia and Azienda Agricola Platania Umberto. The consortium focuses on producing terroir-driven expressions of native grapes Nerello Mascallese, Nerello Cappuccio, Carricante and Catarratto.
Grape Collective talks with Davide Dì Bella about the uniqueness of winemaking on Etna, the impact of the volcano, and how the region has evolved over the years.
Davide, what is Produttori Etna Nord?
Davide Dì Bella: We are five small azienda that seven years before, began to work together, so we are a small association called Produttori Etna Nord. But of course, our family has made the Nerello for centuries. We started here you see in our palmento Etneo, 150 years before. But in the last seven years, we had this idea to work together with many ideas, to export, to develop our project, to make also different wines in different contradas, because even though we are very small, we have Nerello and Carricante in six different contradas.
What I say to you in Castiglione di Sicilia there are 45 contrada, and in Etna, this is very important, because each contrada, also sometimes inside the same contrada, you make different wine.
Talk a little bit about the size of each individual producer and how that relates to Etna in total. Because you have some very big producers, and then you have more small family operations like yourself.
Yes, we are very small. We are also native of Etna. And I just like to say this because now Etna is very fashionable. We have people from Asia, from northern Europe, from of course, northern Italy, Tuscany, Piemonte. So we're still alive, because in the last 20 years, it's been a big revolution and we're still alive and we go to work. We are very fast. We have our project and between the five associations it is not so different. Each association has about one half to two hectares. So that means together, we have 10 hectares with Nerello Mascalase, a little bit of Nerello Cappuccio, and Carricante and Catarratto.
And so how long have your families been in Etna making wine?
My family, and that of Piero, the winemaker, and Giuseppe, started 150 years ago. You can see in our palmento Etneo. And of course, between the '70s and '90s everybody stopped going to Etna. So there wasn't big business. The people paid not so much for wine. And at the time, everybody stopped with this kind of work, but in the last 20, 25 years, we got started again. That's meant like this, that we were putting in new grapes. These grapes are now 25 years old, but also for the Feudi di Mezzo we make the alberello. A little bit of new alberello, but also the old one. And yes, this is very nice because the alberello, the Nerello, all this are here in our hearts. We are really from the family, from this area.
For somebody that's been here for generations, how have you seen the changes in Etna?
Oh, of course, the change we see in a positive way, but also big changes and also big business changes, because all the grapes go up with money, with value. So we try in our small situation to develop and we like... But also for example, like Tornatore, we are from the Castiglione. This is little bit the difference, but we see this as a positive change, because in this way, we have more new winemakers, new technology and for everybody, it's always good. But for us, it's important, our tradition.
And do you have any concerns when you see a big winery moving to Etna?
No, we don't have concerns, because we hope that the people that come here, they'll respect our territory and respect our vineyards.
And how would you describe your terroir here in Etna?
The first thing you think about regarding the terroir is mineral, about the volcano, about minerality, but I like myself to think finesse and elegance to describe our wine.
Talk a little bit about your philosophy of viticulture and your philosophy of winemaking.
Our philosophy is a green philosophy. That means that we use just copper and sulfur. And our philosophy is also to try to not make much influence on the ground and with the grapes. For example, with the Feudi di Mezzo, we have prephylloxera vines. For us, prephylloxera is just 100 year before, it stays the same. We don't like that you make some show or some museum about prephylloxera for example. No, prephylloxera stays, so it's in my family always. This is a natural process.
And your winemaking philosophy?
The winemaking philosophy for us, what I say is the objective, is always to try to develop finesse, elegance and of course acicity in the Nerello and the Carricante. This is a little bit of our philosophy. And we like, of course, not to have too much influence. So we don't use much wood, but just a little bit in some wine, 5%, 10%, so this is our philosophy. We use also in a couple of wines, red, some amphora. And we try when we use wood, to use big wood.
Talk a little bit about the palmento.
In Castiglione, we have maybe two, three palmento, and it's our story. It's where you as children go inside with family and go make wine in the old way. Of course, now, we started a new cantina with modern technology, but for us it was tradition, the wine was ready in December, in January, and also after this day was of course a big party. Because we invite all the family for nice Sicilian food. What's important is of course, our wine and the combination with food.
So the EU banned the use of palmento, but there's some producers now that are fighting to bring palmento back. Do you have an opinion on that?
Yes. My opinion is that this will be very difficult, because with the hygienic norm, the new way of certification, that maybe it's impossible.
And in terms of the growth of Etna internationally, how do you feel the small producers are being included in this massive growth?
We are just part of this development for sure. We are what we say, the small producer. We have the big producers, but on Etna, there are also many very small producers. We speak about bigger, but also have very small producers. We have contact together. We try to think together, we try to do some projects together. The small producer, I think always stays very important on Etna, because this was always so. On Etna 25 years ago, everybody has half a hectare, one hectare, two hectares, and so it's not so they have a big extension and this is something that you can't change.
How is it living in the shadow of a volcano?
" Their wines astound for their purity, their distinctiveness and their almost radical evocation of a pre-modern age."
Eric Asimov, New York Times
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